Joel McDonald for President!
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Virginian-Pilot article with some cast member information, their connections to showbiz, politics, and history in addition to information in newly added show times. [Read]
Reading reviews leaves one feeling humbled, sometimes a little hurt and humiliated, and wanting a chance to do better. It’s interesting to get a third party’s point of view. Here’s a couple more of 1776, with highlights quoted.
Shannon Dunlap of Portfolio: “Though the expected sour notes do appear at random, the vocal performances of the cast are unexpectedly good, and exponentially better than you would expect from community theatre.” [Read More]
PL Freebourne of OnHamptonRoads.com: “Little Theatre of Virginia Beach’s cast is replete with talent, particularly with some professional level acting from a couple of the leads and some great singing from the ensemble. ” [Read More]
Jul 27 - Edgar Mitchell, the sixth man to walk on the moon, says aliens been visiting the earth for the past sixty years.
A veteran of the Apollo 14 mission, Mitchell also says world governments are aware of the alien visits, but have covered them up.
NASA denies it is involved in an alien conspiracy or cover up.
[Reuters]
Montague Gammon’s review of 1776 was published in this morning’s paper. The title: “Theatre’s 1776 is a salute to good performance”. For those who haven’t seen the show, or have and forgotten, his chosen title is a play on “Richard Henry Lee” as he prompts Adams and Franklin with “Gentleman, a salute to Virginia, the mother of American Independence!”. I have a lot of fun with that line, garnering a good chuckle from the audience as I give it. I’ve even got the orchestra mimicking my salute with a riding crop, only they’re using bows from their violins and other items around them. Much fun.
Overall, it’s a good review. Montague misspelled my name, but I suppose I should be tickled with the fact that I was even mentioned by name at all. Many actors got a wonderful mention and praise. Of me, Montague wrote, “Joel [McDonald] has great fun as the young, buffoonish, and self-centered Virginian Richard Henry Lee.” From there he segways into somewhat of a rant on how historically inaccurate the character is; a victim of the playwrights. I suppose I should take pride in having accomplished exactly the character that was written and not being anything like the man as he was.
Montague closes with “It’s fun to watch the conflicts of 1776 tunefully resolve themselves, and it’s essentially impossible not to applaud the subject, no matter the inconsistencies of acting abilities or historical veracity. It’s quite acceptable as a light-weight, light hearted summer diversion.”